Alas, it is time to hang up our leis and board our flight back to the mainland. Unlike most trips to Honolulu, this was no vacation. We challenged ourselves and our readers to travel beyond the resorts of Waikiki beach and explore the rich history of the Hawai’ian islands and its many peoples. The goal we set in the introduction to our Honolulu bibliography was to peel back the facade created by U.S. imperialism and capitalism to find the city’s indigenous history and culture, without minimizing the often brutal, sometimes fruitful, impact that American involvement had on the islands.
From behind a camera lens and atop a skateboard, our correspondents roamed the city’s streets in search of sites connecting Hawai’i’s present to its past. Both wrote about visiting the statue of King Kamehameha, who unified the Hawai’ian Islands in 1810 and became the kingdom’s first monarch, to learn about his reign and how celebrations of his legacy became a symbolic act of cultural reclamation during the Hawai’ian Renaissance that began in the 1970s. Indeed, our contributing expert on Honolulu’s historic preservation concluded his interview with us on an optimistic note, with his hope that the city “can revive the heritage area concept and begin interpreting through museums and information plaques and kiosks to make [Honolulu]’s history more meaningful for both visitors and residents.”
A figurative visit to Honolulu’s Metropolitan Community Church–made via the archives, through a close reading of an issue of the church’s newsletter–also brought past and present together in one site. The Supreme Court of Hawai’i was one of the first to rule in favor of gay marriage, and the history of Honolulu’s Metropolitan Community Church provides some insight into how the mainland struggle for LGBTQ+ rights transplanted to and flourished in Hawai’i.
The inextricability of U.S. imperialism from Hawai’ian history especially came through in our readings of William Finnegan and Joan Didion, two mainland writers who spent time in Hawai’i and vividly portrayed daily life in Honolulu. Both describe the prevalence of American imports, from the racial hierarchy to the military to consumerism. Yet, both also manage to capture something essentially Hawai’ian about the place, as a result of their outsiderness.
Although we are returning to the mainland U.S. in August, we will not be deplaning in a new Metropolis of the Month. We’re going to take the month to develop exciting content about the cities we will be featuring in the fall. In the meantime, we will be posting pieces on a wide range of topics that we hope you will enjoy.