The Official Blog of the Urban History Association
Review: American Splendor (New York: HBO Films, 2003). Directed by Shari Springer Berman and Robert Pulcini By Evan Ash In a middle-of-the-night lymphoma-induced delirium, Cleveland everyman Harvey Pekar (Paul Giamatti) asks his wife Joyce (Hope Davis): “Am I a guy who writes about himself in a comic book, or am I just a character in […]
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“Hold tight to that cheap cigar of yours Keyes. I killed Dietrichson, me, Walter Neff, insurance salesman, 35 years old, unmarried, no visible scars, until recently that is.” Fred MacMurray’s mortally wounded protagonist of Double Indemnity confesses to his supervisor Barton Keyes’ (Edward G. Robinson) dictaphone. A suburban insurance salesman seduced by a married seductress, […]
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By Anton Rosenthal I first encountered the moveable archive of postcards by accident some 25 years ago during a research trip to Montevideo, Uruguay. I had been experiencing a sharp contrast between written accounts of the daily life of the city that I was reading in the national library and the national archives and the […]
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By Peter Soppelsa This post focuses on a remarkable source for illustrating popular urbanism and urban imaginaries: European and American photomontage postcards from around 1900 to 1920 that visualize future cities. Cobbling together an online archive of over 400 future cities photomontages, I discovered an under-utilized body of evidence about popular urbanism. Visual and textual […]
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By Robert Bogdan Although picture postcards can provide an extensive resource of visual information about urban American they are seldom mined by serious researchers. Postcards’ reputation as repetitive, poor-quality, commercial images that only capture structures and landscapes that attract tourists work against their use. The reputation is not totally wrong, as most postcards fit that […]
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“If the city is the raw material for production, for economic development, and for academic research, it has also been available to artists,” writes Helen Liggett in her 2003 work, Urban Encounters. “Photographs can function as sites of participatory reading that provoke urban encounters, first, in the relationship between the photographer and the city, and, […]
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The Metropole 