Editor’s Note: This is the sixth and final post in our theme for February 2025, “Celluloid City,” which explores the role of and interplay between cities and film. You can see all posts from the theme here. By Victoria Timpanaro October 1, 1968 was the world premiere of George A. Romero’s Night of the Living […]
Editor’s Note: This is the fifth post in our theme for February 2025, “Celluloid City,” which explores the role of and interplay between cities and film. You can see all posts from the theme here. By Shruti Hussain We lock eyes with a stream of children, of women and men, peering straight at the camera […]
Editor’s Note: This is the fourth post in our theme for February 2025, “Celluloid City,” which explores the role of and interplay between cities and film. You can see all posts from the theme here By Alyssa Lopez In March 1935, when sixteen-year-old Lino Rivera pocketed a knife while cutting through the S.H. Kress dime […]
Editor’s Note: This is the third post in our theme for February 2025 “Celluloid City” which explores the role of and interplay between cities and film. You can see all posts from the theme here. By Jannat Suleman Since the introduction of the theoretical 15-minute city, there’s been significant nitpicking at the so-called socialist concept […]
Editor’s Note: This is the second post in The Metropole’s theme for February 2025 “Celluloid City” which explores the role of and interplay between cities and film. You can see all posts from the theme here. By Grace Gillies The Rome in both Gladiator films is a landscape of monumental architecture subtly but pervasively inflected […]
Editor’s note: The theme for February 2025, “Celluloid City,” explores the interplay between cities and film. This overview kicks off the month with subsequent pieces by contributors to follow. You can see all posts from the theme here. Nearly five years ago, The Metropole spent the month of April 2020 thinking about “The Visual City.” […]